For years, I've been a proponent of the sensible, rational approach to writing, the idea of keeping your focus trained in one area, of maximizing your output by targeting proposals (if you have the track record to allow it) and not getting so attached to any particular idea that you can't let it go if it doesn't sell.
But that's not the kind of writing that swept me headlong into the love of the art. It's not the kind of commitment-phobic attitude that tossed me over its shoulder and ran away with me (carting me far from any hope of a "safe" and "sensible" career with sick days, health bennies, and a secure retirement.) And recently, I've discovered that it's not the kind of author that I always want to be.
How nice it's been, to find out that all these years later, that initial passion for a story can rekindle into mad love. How delicious it feels to open up myself when the story chooses me, and not the other way around.
Not in my usual genre, this particular project's currently claiming a great deal of my attention. And for now, I'm content to enjoy the ride without worrying about the destination.
When was the last time you let the romance of a new story run away with you? Though it's not always practical or even possible (i.e. you're working on a deadline to complete a contracted project) it can provide the spark the keeps you fresh in every facet of your work.
Flog a Pro: would you turn this bestselling author’s first page? - Trained by reading hundreds of submissions, editors and agents often make their read/not-read decision on the first page. In a customarily formatted book...
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